Motu 828 Software That Supports
MOTUs 828 answers that need and is designed to work with any Mac or PC audio software that supports ASIO 2 drivers and that runs on a computer with IEEE 1394 connectivity. Elektron Analog Heat mkII. Universal Audio Apollo Twin USB Duo Heritage. Now, they've replaced the 828 with a MkII version offering high sample-rate recording, more flexible clocking, MIDI I/O and better metering — and, what's more, they've cut the price.MOTU 828 Mk III Hybrid. The MOTU came with rack-mounts attached to the case, but since I dont plan on mounting it in a rack, and also because I want to carry it with me on some trips, I easily removed the rack-mounts with a hex-wrench.Three years ago, Mark Of The Unicorn were the first manufacturer to bring out a working Firewire interface. The MOTU 828X is an audio interface with 28 inputs and 30 outputs - all in a lightweight, slim rack-mountable case.
Motu 828 Manual Was Written
Perhaps most important is the addition of control surface support for devices such as Mackie Control, though Talkback and Listenback have been also been added, which is welcome news for anyone operating a separate control room and studio. There is a wide range of audio interfaces available, and in the end, choosing the right one comes down to your personal preference.You also get the Cuemix utility, which can set up the mixer for computer-controlled or stand-alone operation, and this has evolved to include some original features added since the manual was written, so you need to download the latest PDF files to find out how these work. Motu 828 MK3 Hybrid Audio-Interface Teil 2. As before, MOTU's Mac-only Audiodesk multitrack recording software is bundled with the interface, and offers a multitrack recording and processing environment not dissimilar to the audio side of Digital Performer.Probando el buen funcionamiento de la interfaz MOTU 828mk3.En la prueba se usan:Entrada frontal MIC 1 Micr&243 fonoEntrada trasera Analog 1 TecladoEntrada AD.Motu 828 MK3 Hybrid Audio-Interface Teil 1. It has now been superseded by the more sophisticated 828 MkII, which brings with it 24-bit, 96kHz recording capability, improved connectivity and hardware metering. The original MOTU 828, launched in 2001 and reviewed in SOS July 2001, has proved to be an incredibly popular Firewire audio interface for both Mac and PC users wanting multiple channels of analogue and digital I/O.
Having a physical output level control is particularly useful for anyone using active monitors without a mixer, as this provides them with a means to adjust their monitoring level. As with the original 828, there's a rear-panel footswitch jack that can be used to punch in and out in Audiodesk and other compatible audio applications (this can be set to emulate any keyboard keystroke), a headphone output that can follow any output pair, a master level control that governs the headphone and main out level and Cuemix zero-latency monitoring. The other welcome addition is a second Firewire socket, which makes life easier when you need to chain peripherals.New to the 828 MkII are MIDI I/O, word clock support and SMPTE sync.Other niceties include MIDI In and Out, on-board SMPTE sync for those rare occasions when MTC isn't what you need, and the ability to use the unit as a stand-alone mixer. A standard ADAT 9-pin sync socket is provided for the sample accurate sync'ing of an ADAT or ADAT-compatible recording/playback device and there's now both word clock in and out on standard BNC connectors, so if you have a master clock unit, there's now somewhere to plug it! Usefully, the word clock circuitry can also follow and generate high and low sample rates so that, for example, you could be running at 44.1kHz but still lock to a double-speed 88.2kHz clock, or vice versa as selected in the MOTU Firewire Audio Console.
A DSP-powered phase-locking system is used in combination with filtering to achieve fast lock times and sub-frame timing accuracy. This is not always what you want, but you can also assign the headphone out its own signal source and level control if you need to.The SMPTE input is on a standard quarter-inch jack, and a similar jack provides a SMPTE output for when the 828 MkII is operating as master. Also on the front panel is the headphone jack, which by default shares the same level control as the main stereo outs. Each input has its own Trim control for level setting and a miniature toggle switch to turn on phantom power for use with capacitor mics or active DI boxes. MOTU claim that the MIDI timing is as accurate as the host software allows.The two front-panel combi sockets accept XLR mic connectors, balanced or unbalanced jack line connectors and high-impedance instrument connectors (usually unbalanced). The original 828 had no MIDI I/O, whereas the MkII has one MIDI In and one MIDI Out, which communicate with the host computer via the Firewire cable, though on the Mac platform, MIDI is supported under OS X only.
However, certain audio programs, including the current versions of Logic and Cubase, don't as yet allow users to select multiple audio interfaces under Mac OS X, a situation that both Emagic and Steinberg need to sort out without further delay.The Cuemix software is, in effect, a control panel for the 828 MkII's on-board DSP, which runs your mixer setups without imposing any load on the host CPU.The Cuemix DSP section of the control panel controls the internal DSP mixing facilities and also allows Global settings to be adjusted. In theory, under Mac OS X, users can slave the MOTU driver to another Core Audio driver — either MOTU or third-party, which includes the Mac's built-in audio — for accurate sync. Note that the 828 MkII has been designed to allow you to use multiple units together, but whether this is possible depends on the operating system of the host computer and/or the audio software you're working with. SMPTE sync works with any host applications, Mac or PC, that support the ASIO 2 sample-accurate sync protocol.
Motu 828 Free Use Is
All six DSP section encoders and the level knob have integral push switches for confirming operations or toggling between modes. Computer-free use is made possible by the six rotary encoders on the front panel where their values, levels or parameter names are shown in the display window. This could be useful in setting up a couple of alternative monitor cue mixes, for example. As a stand-alone mixer, the 828 MkII can sum all the inputs to a stereo pair and up to four simultaneous mixes can be run, each feeding a different output pair.
The Cursor knob scrolls through the 20 possible inputs while the Value knob adjusts their settings.Because the 828 MkII stores Cuemix settings when disconnected from the computer, you can save desired mixes, complete with default pan and gain settings, then make changes from the front panel if necessary when the interface is being used as a stand-alone mixer. When something is adjusted, the display temporarily 'zooms' in on this parameter while it is being adjusted and the time the display takes to revert to normal after adjustment can also be changed by the user. Back in mixer mode, the LCD shows the settings for the current mix, where the two lines of characters become two lines of tiny faders.
This is a useful option where you may be using external MIDI synths that need to be added back into the final mix. Mix 1 can be routed directly back into a computer input, which makes it easy to mix back to a spare stereo track of the software. Mixes may be named and the settings include levels, pan positions, mute and solo settings. The ability to run four separate mixes simultaneously adds to the 828 MkII's flexibility.
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